The Israeli soprano Rinnat Moriah studied at the Curtis Institute of Music in Philadelphia, where she already sang the part of the Queen of the Night from Mozart's »Magic Flute« with the Fort Worth Symphony Orchestra during her training. Interesting assignments await her in the 2022/23 season: concerts at the Berlin Philharmonie, the Concertgebouw Amsterdam and the Theater an der Wien, as well as roles such as Julia in Künneke's Der Vetter aus Dingsda at the Stadttheater Klagenfurt. Recently, Rinnat Moriah made her debut at the Bregenz Festival and at the SWR Festival in Schwetzingen. In addition, she sang concerts at the Paris Philharmonic, at Lugano Musica, at the Stuttgart Liederhalle, and in Cologne. Rinnat Moriah has sung at the Teatro alla Scala, at the Staatsoper as well as at the Deutsche Oper Berlin, the Theater an der Wien and the Badisches Staatstheater Karlsruhe. Rinnat Moriah regularly works with the Stuttgart Philharmonic, Ensemble Modern, Rundfunk-Sinfonie Orchester Berlin, Slovenian Philharmonic Orchestra, SWR, Scharoun Ensemble and Ensemble Intercontemporain. Rinnat Moriah also shows her versatile voice with baroque repertoire. She sang the German premiere of Porpora's »Polifemo«, Traetta's »Ifigenia in Tauride«, the role of Didone in Vinci's »Didone Abbandonata«, the role of Eurilla in Handel's »Il Pastor Fido«, as well as the two coloratura roles in Jommelli's »Fetonte«, etc. In addition, Rinnat Moriah has recorded the main female role in Christian Ludwig Boxberg's opera »Sardanapalus« (1698) for Pan Classics. Rinnat Moriah has also been heard in modern repertoire, for example in Alban Berg's Lulu Suite under Daniel Barenboim. She regularly collaborates with renowned conductors such as Matthias Pintscher, Sylvain Camberling, Bas Wiegers, Wolfgang Katschner, Guido Mancusi, Lahav Shani, Mirga Grazinyte-Tyla, Donald Runnicles, Kirill Petrenko, Daniel Barenboim, Francois-Xavier Roth, Miguel Harth-Bedoya, Antonello Manacorda, Michael Tilson Thomas, Ingo Metzmacher, Johannes Kalitzke, Paolo Carigniani, Roland Böer, and Dan Ettinger.