Not all pages are available in English. In this case, content is displayed in German.
X

The Doctor

by Robert Icke / Loosely based on »Professor Bernhardi« by Arthur Schnitzler

Theatre
Marguerre-Saal
German by Christina Schlögl / in German
[recommended for ages 16 and up]

A fourteen year old girl is dying. Because she can’t reach the girl’s parents, the attending doctor refuses the Catholic priest access to her patient. An incident that rapidly turns into a public scandal. The Jewish doctor is confronted with antisemitic and misogynist reactions while the Black priest, in his turn, accuses her of racism. And with the doctor's professional existence in jeopardy, the entire clinic's existence is as well.

British author Robert Icke has written a celebrated moral thriller, showing the people behind complex discussions. Performed in Heidelberg for the first time, Icke’s »brilliant expansion of Schnitzler’s original« (The Guardian) is put on the stage by Pia Richter.



Content notes

In cooperation with zwinger x, the performance on May 24 will be followed by an audience discussion with experts and the ensemble about the situation of women in medicine and the legal aspects of the medical profession.

Direction
Stage Design and Costumes
Music
Lighting Design
Karsten Rischer
Dramaturgy
Theatre Education
Mareike Schneider
Ruth Wolff
Charlie / Jemima Flint
Brian Cyprian / Talkshowgast 4
Roger Hardiman / Talkshowgast 1
Paul Murphy / Talkshowgast 3
Michael Copley / Sami
Rebecca Roberts / Moderatorin
Junior / Talkshowgast 5
Pfarrer / Vater
Assistant Director
Helen Metzger
Direction Hospitanz
Eden Bollenbach
Assistant Stage Design
Marie Paul
Stage Design Hospitanz
Lisa Volles
Assistant Costumes
Lena Eibl
Stage Management
Joris Freisinger
Soufflage
Sara Eichhorn

The production of the decorative parts is carried out in the workshops of the Theater und Orchester Heidelberg.

A complete list of all employees of the technical departments involved can be found here.

Listen to an introduction by Deborah Raulin in German here.

Please accept Cookies, to show these contents.

Trailer by Siegersbuschfilm

Die »stringente Unerbittlichkeit« des Stück entfalte die »Wucht einer antiken Tragödie«, bemerkt Volker Oesterreich in der Rhein-Neckar-Zeitung (3. März 2025). Das »klinisch weiße Kammerspiel-Setting« als »Vorhof zur seelischen Hölle« lasse den Zuschauer in Pia Richters Inszenierung passend frösteln. Katharina Quast in der Titelrolle bilde den »Dreh- und Angelpunkt der Inszenierung« und sei dafür vom Publikum »zu Recht gefeiert« worden. Auch Schnitzler hätte dem Abend applaudiert, meint der Rezensent.

Robert Ickes Adaption öffne »Interpretationskorridore in unsere aktuelle gesellschaftliche Lage«, schreibt Frank Pommer in der Rheinpfalz (1. März 2025). Im »grellen Weiß« des Bühnenbilds von Lise Kruse scheint es dem Rezensenten, als »beobachte man einen Laborversuch«. »Getragen« werde der Abend von »der großartigen Katharina Quast in der Titelpartie«.