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Pollock

Dance show by Iván Pérez together with Philharmonisches Orchester Heidelberg

World premiere
World premiere
Dance
Marguerre-Saal
[recommended for ages 16 and up]

Iván Pérez will never forget how enthralled, excited and overwhelmed he was when he discovered one of Jackson Pollock's large scale artworks at the Museum of Modern Art in New York and how he sat in front of it for hours. With the invention of Action Painting in the late 1940ies, Pollock revolutionised the art world.

In 2024, the Artistic Director of Dance Theatre Heidelberg created a multidisciplinary and choreographic dance analysis of the extraordinarily gifted artist that Pollock was. Starting in the foyer, this performance allows spectators to be immersed even before going on into Marguerre Saal, where the stage has been turned into an artist's workshop welcoming the audience. Iván Pérez creates a choreography for bodies and movement, Yamila Rios composes a hybrid score for Philharmonisches Orchester Heidelberg, Naomi Kean designs abstract and expressive costumes coming to life in front of Sam Beklik’s immersive set.


The »Pollock« production is accompanied by a special introductory format: IntroPollock!
This introductory format combines the introduction to the content of the dance evening with a performance in the foyer of the Marguerre-Saal that leads into the performance. The audience can either start the evening 30 minutes before the start of the performance with IntroPollock or enter the Marguerre-Saal at the beginning of the performance.



Content notes

canceled

Pollock

UA
Dance show by Iván Pérez together with Philharmonisches Orchester Heidelberg
[recommended for ages 16 and up]
DTH-PreMove 6:15 pm
IntroPollock 7:00 pm

On 19 January 2025, the performance will take place with audio description and a tactile tour beforehand. The meeting point for the tactile tour is one hour before the start of the performance at the theatre box office. 

DTH Hangout
Relaxed conclusion with the dancers of the Dance Theatre Heidelberg after the performance in the Foyer. 

On 14 June 2025, the performance will take place with audio description and a tactile tour beforehand. The meeting point for the tactile tour is one hour before the start of the performance at the theatre box office. 

Choreography and Direction
Musical Direction
Composing
Musical arrangement
Stage Design
Costume Design
Lighting Design
Ralph Schanz
Choreographical Assistance and Rehearsals
Dramaturgy
Artistic Production Management
Dance Education
Choreografical Assistance and Rehearsals
Jorge Soler Bastida
Stage Management
Katharina von Zadow
Assistant Stage Design
Judith Grätzer

The production of the decorative parts is carried out in the workshops of the Theater und Orchester Heidelberg.

A complete list of all employees of the technical departments involved can be found here.

Listen to an exchange between costume designer Naomi Kean and dramaturge Natalie Broschat (in German) here.

Listen to a conversation between choreografer Iván Pérez, stage designer Sam Beklik, composer Yamila Rios and dramaturge Natalie Broschat (in english language).

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by DeDa Productions

Eine »grandiose Fusion aus Musik und Tanz« gelinge Iván Pérez, meint Nora Abdel Rahman im Mannheimer Morgen (26. November 2024). Die »Seelenwelt eines ›Pollock‹« erzeuge das »wie ein geisterhaftes Organ« platzierte Philharmonische Orchester »meisterhaft mit der komplexen Komposition« von Yamila Rios. Im »raffiniert« gestalteten Bühnenraum vom Sam Beklik und den »wunderbaren Kostümen« von Naomi Kean entfalte sich der Tanz, in dem Pérez seine »hohe Kunst« bezeuge, »mit scheinbar einfachen Bewegungen […] einen komplexen Kosmos aus Emotionen« zu transportieren. Hier zeige sich, dass der Choreograf »brennt für die Bilder des Malers, sein kreatives Potenzial, das uns in Tanz und Musik noch mal anders offenbar wird«.

In der Rhein-Neckar-Zeitung (21. November 2024) schreibt Isabelle von Neumann-Cosel, Iván Pérez habe die »biografischen Aspekte« des umstrittenen Künstlers herausgearbeitet, das Ensemble spiegele »die seelischen Ausnahmezustände seiner schöpferischen Inspirationen«. Die »Wandgestaltung des imaginären Museumsraums« bleibe der »Fantasie des Publikums« überlassen, einen »veritablen Blickfang« bilde das im Hintergrund der Bühne platzierte Philharmonische Orchester Heidelberg, das in einer »ungewöhnlichen Besetzung« zu sehen sei. Junyoung Kim am Pult führe in großer Ruhe, »wie ein lebendes Metronom« durch Yamila Rios’ Komposition, die »mit flirrenden Melodien, minimalistischen Partien und einer prägenden Rhythmik das Bühnengeschehen akustisch« zusammenhalte.

With kind support of