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The Knight of the Rose

Comedy in three acts by Richard Strauss

Musical Theatre
Marguerre-Saal
Text by Hugo von Hofmannsthal / In German with supertitles
[recommended for ages 16 and up]

Composer Richard Strauss requested a comedy from his librettist Hugo von Hofmannsthal. The comedic opera that premiered in Dresden in 1911 is an oeuvre that plays with confusion, gender trouble, irony and ambiguity, in its text as well as its music, but above all it’s an oeuvre that discusses love, life and transience in a melancholy yet cheery way.

Getting on in years, the married Marschallin Princess Werdenberg feels the passage of time and is trying to find a way to deal with that. Her philosophy is: Be light-hearted, take light-heartedly and let go light-heartedly. While her lover Octavian, still full of illusions, is looking for his place in life, and her cousin, Baron Ochs auf Lerchenau, plans to consolidate his finances by marrying Sophie, the much younger but rich daughter of a bourgeois, the Marschallin pulls the strings between the three of them as she likes.

Introduction and discussion with those involved in the production, as well as insights into the rehearsal process for the comedy with music by Richard Strauss.
[recommended for ages 16 and up]

Comedy in three acts by Richard Strauss
[recommended for ages 16 and up]
Two intervals.

Comedy in three acts by Richard Strauss
[recommended for ages 16 and up]
Two intervals.

Comedy in three acts by Richard Strauss
[recommended for ages 16 and up]
Two intervals.

Comedy in three acts by Richard Strauss
[recommended for ages 16 and up]
Two intervals.

Comedy in three acts by Richard Strauss
[recommended for ages 16 and up]
Two intervals.

Comedy in three acts by Richard Strauss
[recommended for ages 16 and up]
Two intervals.

Comedy in three acts by Richard Strauss
[recommended for ages 16 and up]
Two intervals.
Musical Direction
Direction
Stage Design
Costume Design
Lighting Design
Ralf Kabrhel
Choir Rehearsals
Dramaturgy
Conducting
Die Feldmarschallin Fürstin Werdenberg
Der Baron Ochs auf Lerchenau
Octavian, genannt Quinquin
Herr von Faninal
James Young
Sophie, seine Tochter
Jungfer Marianne Leitmetzerin / Eine Modistin
Valzacchi
Santiago Bürgi
Ein Polizeikommissar / Ein Notar
Thando Zwane
Haushofmeister der Marschallin & bei Faninal
Gergely Németi
Tierhändler
Leopold
Anselm Staber Emilia Staber
Faktotum im Hause Werdenberg
Susanne Schyns
Vier Lakaien, Vier Kellner
Director of Studies
Hanna Klose, Nanami Yamane
Musical Rehearsals
Hanna Klose, Junyoung Kim, Manon Parmentier, Nanami Yamane, Paul Breyer
Assistant Director
Maurice Böhlke, Leonie Kristin Brauns
Stage Management
Katharina von Zadow
Assistant Stage Design
Elena Schiebel
Assistant Costumes
Hannah Schäfer
Direction Hospitanz
Ricky Rösch
Dramaturgy Hospitanz
Johanna Podkowa
Stage Design Hospitanz
Lisa Valero Ribes
Costumes Hospitanz
Chen-Hsuan Wu

The production of the decorative parts is carried out in the workshops of the Theater und Orchester Heidelberg.
A complete list of all employees of the technical departments involved can be found here.