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DSCH

Shostakovich: Artist and Regime

Musical Theatre
Zwinger 3

The Soviet composer Dmitri Shostakovich (1906–1975) is the embodiment of an artist subject to oppression and despotism by the state. Though already internationally famous, he fell in disgrace due to his opera »Lady Macbeth of Mtsensk«, was branded a »formalist«, his works were banned from performance, and he was even banned from exercising his profession altogether. He expected to be detained and deported but out of the blue Stalin granted him a pardon. For Shostakovich this was the beginning of his second creative period and he officially positioned himself as artist of the state. His musical language, however, went far beyond any kind of ideology.

On the occasion of the 50th anniversary of Shostakovich’s death, this scenic-musical project uses the composer’s music and words to portray the artist and the possibilities of artistic freedom in a tyranny.

Musical Direction
Nanami Yamane
Idea, Direction ande Stage Design
Costumes
Clara Akemi Wilkening
Dramaturgical collaboration
Ulrike Schumann Tianyi Wang
Dance
Holly Mitchell Lorenzo Ponteprimo
Piano
Nanami Yamane
Violin
Annika Fuchs-Rath Juliane Kliegel
Assistant Direction and Stage Management
Johanna Podkowa
Assistant Costumes
Hannah Schäfer

The production of the decorative parts is carried out in the workshops of the Theater und Orchester Heidelberg.
A complete list of all employees of the technical departments involved can be found here.

Regisseur Lennart Kammler habe eine »vielschichtige Erzählung aus Choreografie, Schauspiel und musikalischen Zitaten« montiert und sei »klug genug, eindeutigen Antworten« auf die Frage nach dem Verhältnis von Künstler und Regime »aus dem Weg« zu gehen, berichtet Johannes Breckner im Wiesbadener Kurier (16. Oktober 2025) über einen mit »großem Beifall gefeierten[n] Abend«. Tenor Winfrid Mikus zeichne ein »schillerndes Porträt des scheuen, liebenswerten, ängstlichen Künstlers«, das Streichquartett aus Musiker*innen des Philharmonischen Orchesters Heidelberg habe mit »großer Spannung und einer faszinierenden Bandbreite emotionaler Schattierungen« gespielt.