Al fondo riela (Lo Otro del Uno)

»Al fondo riela (Lo Otro del Uno)« is a piece about reflection and the loss of reality, a work where all the ghosts of the past emerge. In the second part of her trilogy, Rocío Molina, dressed in all black, spars with two guitarists. She dances farrucas, seguiriyas, bulerías, soleás, in a constant struggle with her own image, with the Other (»Lo Otro de Uno«), who forces her down into the depths of all her own fears. Vanity, ambition, pride, solitude […] but it Glimmers in the Depths (»Al fondo riela«). Colour seeps back into the darkness. The liberation, the the Return to the Self (»Vuelta al Uno«), is near.

The choreographer Rocío Molina has coined her own artistic language based on a reinvented traditional flamenco style, which respects its essence, but embraces the avantgarde. Radically free, she combines in her works technical virtuosity, contemporary research and conceptual risk. »Trilogía sobre la guitarra« is a project articulated in three pieces which, although in a continuous relationship to each other, are independent shows: »Inicio (Uno)«, »Al fondo riela (Lo Otro del Uno)« and »Vuelta a Uno«.