Content notes

In a series of titles and references, the production thematises sexism, physical and psychological violence, addiction, racism, anti-Semitism, war, queer hostility, depression and suicidal tendencies on a linguistic level. The text sometimes quotes discriminatory and sexualised language.

Sirens are used in this production. A suicide is thematised.

Strobe lighting is used in »Crash: reassembled«. »IT’S NIGHT AGAIN« hints at a murder, with fake blood and fog used in one scene. Both dance pieces feature loud music and flashing light effects in places.

In the production, two murders are depicted on a visual level. A dead man appears. Artificial blood can be seen in one scene. The topic of suicide is dealt with on a textual level.

The production addresses antisemitism in language and war in language and images. One scene contains the loud sound of a siren.

The play’s backstory  involves an act of sexual violence against a young woman. The play itself then deals with the young woman's situation within a court case that is conducted unfairly for long stretches. Misogynistic expressions are used in the language, and in one scene, abusive behaviour occurs on stage. A loud bang is played several times during the production.

The production deals with sexualised violence and physical and psychological violence on a textual level. In one scene, self-harm and a suicide attempt are described verbally.
The production addresses food refusal, which may be triggering for people with eating disorders.
Nudity is shown both on stage and in the form of video projections. The video projections also contain images of war.

In this production, psychological violence in a family context and queer hostility are thematised on a linguistic level. A death by drowning is scenically suggested.
Stroboscopic lighting and fog are used in the production.

The play deals with the progression of dementia, which for the protagonist is accompanied by a loss of impulse control and the resulting abusive behavior. In this context, there are moments of sexualized assaults on a textual and implied level on the stage, and occasionally obscene and misogynistic language and degrading language towards minorities is used. A war experience is reported in the context of the prehistory.

In this production, domestic violence, auto-aggressive behaviour and the use of a firearm are addressed on a linguistic level.

In the production, cannon shots are scenically indicated.
Strobe lighting, fog and a siren-like sound are used.

The production addresses right-wing extremism, racism, anti-Semitism, stereotypical representations of ethnicity and misogyny.
In the last third of the play, the theme of war is explored and a loud explosion can be heard.

The production addresses racism, sexism and anti-Semitism on a language level. Alcohol abuse is addressed on a performance level.

Strobe lights and loud music are used in the production.

The production addresses war on a linguistic and scenic level.
Fog and rapid lighting changes are used.